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The lyric tenor has a soft, melting voice. The voice must be rich and agile in melodic creation. He can reach the high notes with ease and create a beautiful sound.
The lyrical tenor must be able to sing both intimate pieces and more exciting pieces convincingly. We start with Nicolai Gedda He was above all, a tenor highly appreciated by connoisseurs. In the aria Des Grieux and with him the listener is overwhelmed by the feelings for Manon, in the parlando middle section Gedda defeats himself once more, while organ chords sound — only to be carried away again with masterfully designed crescendo.
It comes from his CD from Romantic Arias , which has received excellent reviews. The greatest praise which was quoted again and again came from the highly respected critic John Steane in the magazine Gramophon, who saw Jonas Kaufmann as the candidate for the future top tenor. Especially the Manon excerpts stood out. Also the French experts were full of praise, the excellent French diction of the German was noted appreciatively.
Des Grieux was one of his favourite roles. As always, Schipa captivates with his elegant voice, which expresses pain unparallelled by other singer. Listen to a recording from the thirties. April
File:Jules Massenet - Manon - Ah! fuyez, douce image.ogg
Manon (Massenet, Jules)